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JANUARY 2011. KINSHASA AND POINTS EAST

David Quammen and Christian Ziegler on the outskirts of Kinshasa.Lots of field time in the Congo for me this year.  The forests are wonderful; the people are likable; the cities, the logistics, and the politics are . . . ugh, challenging.  As you probably know, there are two countries known loosely as "the Congo":  the Republic of the Congo, north of the big river, with its capital at Brazzaville; and the Democratic Republic of the Congo (formerly Zaire), south of the river, with its capital at Kinshasa.  In past years, during the Megatransect and later outings, my Congo travel has always been north of the river.  This year I've spent seven weeks south of the river, getting a taste of DRC.  My main purpose has been to research a story on the bonobo, Pan paniscus, a species of primate sometimes (misleadingly) called the pygmy chimpanzee.  That's a work in progress for National Geographic. I've spent time in the forest with several bonobo researchers, including Gottfried Hohmann (who has studied them for decades) and Tetsuya Sakamaki, following wild but habituated groups.  In such situations, we've kept a respectable distance (ten yards, at least) from the animals and, when relatively close, worn surgical masks to lessen the chance of infecting them with some human bug.

If you've ever worn a surgical mask while trying to run through an equatorial rainforest, get air to your lungs, and keep your glasses from fogging up, you'll appreciate how much Gottfried and Tetsuya and their colleagues care about these creatures. 

I also spent a day at the Lola yaDavid Quammen and Christian Ziegler on the outskirts of Kinshasa. Bonobo refuge on the outskirts of Kinshasa.  It's an orphanage and halfway house for bonobos that have been captured, or grown up in captivity, and been rescued by an extraordinary woman named Claudine Andre, who runs the place.  Some of those animals are now being released to the wild—under carefully restricted conditions, into habitat empty of other bonobos.  The Lola bonobos are quite familiar with human contact.  My photographer colleague for this assignment, Christian Ziegler (that's him in the olive fatigues), had spent a week at the refuge before going to the wild and so, by the time I arrived, the more forward animals there were used to him.  I was the new guy.  They inspected me carefully and then, generously, groomed me.  Not even my faithful dermatologist, Brian, has ever looked at my skin more closely.

The pants legs are up, by the way, not to display my nice tan but because the bonobos were curious about my kneecaps.

While delayed in Kinshasa between fieldtrips, I got the chance to add a few crucial pieces to the story of HIV/AIDS for my book on zoonotic diseases. 

Professor Jean-Marie Kabongo, head of pathology in the Department of Anatomy and Pathology at the University of Kinshasa.This is Professor Jean-Marie Kabongo, head of pathology in the Department of Anatomy and Pathology at the University of Kinshasa.  I called on him in order to trace an important piece of evidence back to its source.  The evidence is a small block of paraffin-preserved tissue, a biopsy specimen that was sliced from a lymph node of a Kinshasa woman in 1960, and stored thereafter at the pathology lab.  Almost fifty years later, a molecular biologist at the University of Arizona, Dr. Michael Worobey, screened that sample (among many others) and found it to be HIV-positive.  Let me repeat: an HIV-positive woman in Kinshasa in 1960.  Worobey sequenced the genome of the sample's virus and named it DRC60.  Its existence, its date, and its genetic relationship to other HIV strains have all added surprising new elements to our understanding of how and when the AIDSProfessor Kabongo's lab still contains many paraffin-embedded pathology samples. pandemic began.  Worobey's work is part of a complicated tale that I'll tell in the book.

Professor Kabongo's lab still contains many paraffin-embedded pathology samples, though none has so far been revealed to have such significance as DRC60.

David Quammen

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  • ENDURING AND REMEMBERING

    JANUARY 16, 2021

         Did I say holy goodness? Holy crap. What a year. I've got scant appetite for describing what it's been like for me, because chances are it was worse for you, and I honor that. Difficult for everybody, but my family and most of my friends have been lucky and blessed so far, and for that I'm grateful. Also, for any of those of us who make our living in part from explaining viruses, it 23354 330has been very busy. So busy, I've neglected this blog, saying what I've been able to say in other contexts, journalistic (see the links to the left) and Twitteroid. Now I'm starting to get caught up and perhaps I can resume making the occasional post here, on what I've been learning—by sedulous reading of scientific articles, interviewing scientists, and on the wind—about Covid-19 and the nefariously complex, agile virus that causes it, SARS-CoV-2.

         There are other things that bear commenting on also. My friends Bill Kittredge, Brian Persha, and Barry Lopez all died within recent months, and those losses leave gaps. I will comment on them, as I have opportunity, elsewhere. Barry was like a brother to me, an elder brother—and if that were the case, I guess Peter Matthiessen, gone also these few years, felt like my uncle. I should be so lucky. But when I think of it: If Barry had been my elder brother, I probably could never have become a writer—it would have been too daunting, following in his steps. I would have had to turn aside into one of the only other plausible careers for which I was suited: a circus clown or a herpetologist.

         I miss them, all three.  You should read Bill, read Barry. And if you ever have a chance to lay hold of some of Brian's artistic pottery, do. You'll know it by his profund appreciation of the shades of blue.

         

     

  • THE BIG ONE

    MAY 1, 2020

    So here we are, amid a global pandemic of a disease called COVID-19, caused by a virus known as SARS-CoV-2. It’s terrible, and many people are suffering—suffering the disease, and suffering economic and social hardships related to the shutdowns necessitated by the disease. I’m relatively lucky: self-isolated with my wife, our two dogs, our cat, and our python, and all six of us are accustomed to working from home.

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    Many journalists, and some of my friends, have been asking me: “Were you surprised when this began?” I wasn’t surprised. Others have asked: “How does it feel to be prescient?” (My first thought: I'd rather be wrong.") Anyway, I wasn’t prescient; I merely listened carefully to a select group of disease scientists, ten years ago, while I was researching my book Spillover (W.W. Norton, 2012), and I reported their well-informed predictions about the prospects of a “Next Big One,” a punishing global pandemic. What they told me back then, if you assemble their bits of wisdom and foresight into a single consensual summary (as I tried to do, over the course of the book), was this: Yes, there will be a Next Big One. It will be caused by a virus. That virus will be new to humans, coming out of a wild animal. What kind of animal? Very possibly a bat. What kind of virus? Very possibly an influenza virus or a coronavirus. Under what circumstances would the virus get into humans? Some situation of close, disruptive contact between humans and wild animals—such as in or around a wet market in, oh, for instance, China.

    In early January of this year I was making plans to depart for Tasmania, Australia’s island state, for three weeks of research on Tasmanian devils and a strange form of contagious cancer that has been killing them wholesale in recent decades. This research was for a book that I’m writing about cancer as an evolutionary phenomenon. As I readied for the trip, I must have missed the earliest emails from ProMED, an infectious-disease reporting system to which I subscribe, about “an unidentified outbreak of viral pneumonia” in the city of Wuhan, China.

    The first of the ProMED messages that did catch my attention, I think, came on January 13, quoting a World Health Organization statement about a “novel coronavirus” linked to the peculiar pneumonia and confirmed in a female Chinese tourist who had traveled from Wuhan to Thailand. The woman was hospitalized in an isolation ward and recovering well. Detecting and treating her, according to the Minister of Public Health, showed “the efficiency and effectiveness” of health care in Thailand. It was not a dramatic story. The word “coronavirus” caught my attention enough to prevent me from deleting that email. But I didn’t realize then that a very consequential new virus, later be called SARS-CoV-2, had made what seems to have been its first international move.

    Reports continued and attention grew. I was busy revising an unrelated magazine story until, on January 21, an email arrived from an editor at The New York Times, asking whether I might care to write an Op-Ed about “the Wuhan virus.” I agreed, wrote the piece quickly, and it was published on January 28. (You’ll find a link to it on the left of this.) A week later, I departed for Tasmania. By then the virus story had spread just enough concern that I put two surgical masks in my briefcase, on the off chance—which I considered remote—that I might be required to wear one, three weeks later, on the planes coming home. I didn’t. Flying home on March 2, I saw only a few people in the airports wearing masks.

    But by then the virus had spread, the story was getting bigger, and the disease toll more severe, not just in China, not just in Italy and Iran, but in the U.S. too, of course. This is where you all have your own stories to tell. As for me, my last day of going to the gym was March 10; since then it’s been home workouts and dog-walks. I haven’t been inside a building other than our own house in six weeks. Almost every day, for me, has been a day of being an interviewee for media around the world, because of Spillover, while trying to steal some time to continue being a writer as well. My book publisher, Simon & Schuster, has asked me to set aside, for now, the book on cancer and evolution, and write one about this pandemic. I’m quite aware that there will be a gaggle of COVID-19 books, and in ordinary times I do my best to stay distant from literary gaggles . . . but this seems like a responsibility, not an opportunity. So I’m now at work on a book about COVID-19.

    In the stolen evening hours of some busy days, I’ve also been doing something else— online events, virtual bookstore discussions, with my wife Betsy Gaines Quammen, whose own book, American Zion: Cliven Bundy, God, and Public Lands in the West, was published on March 24 by Torrey House Press. We talk about both of our books, and the overlap between them, in the zone of public alarm and conspiratorial paranoia. If you care to see a rerun of any of those sessions (we call them the Betsy & Dave Show, but we don’t claim to be Ready for Prime Time), you can find them on Facebook, at the David Quammen and Betsy Gaines Quammen events page:
    https://www.facebook.com/davidquammenauthor/

    Meanwhile, stay safe, people. Stay sane, be well, keep smiling, listen to the music. Ask for evidence when someone tells you the latest hot rumor about SARS-CoV-2. Shake hands with friends using your feet, toast your neighbors from across the street on Fridays, and eventually we will reach the other side of this river of ecological challenge.

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EBOLA: The Natural and Human History of a Deadly Virus

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SPILLOVER: Animal Infections and the Next Human Pandemic

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THE CHIMP AND THE RIVER: How AIDS Emerged from an African Forest